Sunday, June 26, 2016
Wednesday, December 23, 2015
|deviantart by SavoyLemon|
Sgt Pepper’s Alternate Expanded Radio London Club Band
1. Alternate: the first two tracks recorded during the Sgt Pepper’s sessions were Strawberry Fields Forever and Penny Lane but they were selected as a double-A side single and therefore, following EMI’s principle of not including singles on Beatles albums, never made it onto the album. George Martin apparently said, “I wonder what the album would have been if those two corkers had been included”, so I had the idea to include them. That, naturally, raised the question of what to replace. The obvious choice for me was Paul’s ‘granny song’, When I'm Sixty-Four which wasn’t written for Pepper (he’d been playing it since the Cavern days) and George’s misfit song, Within You Without You (which is clearly not a rock song).
2. Expanded: since Beatles albums usually have at least one Harrison song, I felt I should include the song George actually intended for Pepper, (It's Only) A Northern Song which was recorded at that time but vetoed by Martin as ‘not up to standard’.
3. Radio London: in 1967, the ‘pirate’ radio station radio London ( 'Big L') had 16 million listeners and was given an exclusive 8-day preview window of Sgt Pepper’s. When later that year the British government brought in legislation to end the pirates, Big L was closed down at 3pm on 14th August 1967. The last song the station played was Pepper’s A Day In The Life. That historical moment is recreated here by adding the broadcast ending.
1. Sgt Pepper's Lonely Hearts Club Band
2. With A Little Help From My Friends
3. Lucy In The Sky With Diamonds
4. Getting Better
5. Fixing A Hole
6. She's Leaving Home
7. Being For The Benefit Of Mr. Kite!
8. Strawberry Fields Forever
9. (It's Only) A Northern Song
10. Penny Lane
11. Lovely Rita
12. Good Morning Good Morning
13. Sgt Pepper's Lonely Hearts Club Band (Reprise)
14. A Day In The Life
15. 14th August 1967 (Big L Closedown)
The mix sounds great to my ears and I was intending to share it with you on mixcloud but apparently more than three songs from one artist aren't allowed. However, there's nothing to stop you creating your own version.
Consider this mix as a fan’s tribute.
Tuesday, November 24, 2015
THIS MORNING I witnessed a death. I was driving home, out of town and into the country. As a novelist I naturally notice things and ahead of me on the road, moving slowly--very slowly--swivel-eyed and hesitating step-by-step, was a young chameleon. I took care to avoid him and drove up to my gate. Whilst I waited for the gardener to open the gate I looked back at the chameleon, still on its hazardous journey across the road. I thought, My heart's with you guy, but I don't think you'll make it. Immediately, a kombi hurtled down that stretch of road, its driver oblivious to the tiny creature; amazingly it missed the chameleon. But the car following quickly behind didn't and the creature was spun into the air and landed, inert, on the road. And then a truck rushed along and squashed it flat. And I was thinking, that's a life lesson right there, isn't it? One moment you're here; the next moment you're gone. For that chameleon, the struggle is over; for us the daily struggles go on: but also the joys, the triumphs and ephemeral achievements of what all of us call life.
c Kenneth Rowley 2015
c Kenneth Rowley 2015
Saturday, November 21, 2015
Brandenburg Concertos are amongst the gems of the entire classical repertoire, not only the Baroque period. Composed throughout his career then selected, assembled and reorganised, Bach presented these works to the Margrave of Brandenburg in 1721. Bach may not have heard these pieces performed as a complete work; the Margrave certainly didn't. He didn't have enough musicians in his Berlin orchestra to have them performed and so the manuscripts went straight into his library and were only discovered over a hundred years later, in 1849! How fortunate for us that they were! The manuscripts were first published the following year, in 1850, and have since then become regularly performed, frequently recorded, and very popular works.
The youtube performance given here is of the 5th concerto, performed by one of the best period performance ensembles, the Freiburger Barockorchester, and filmed at Cothen, where Bach worked as a court musician.
c Kenneth Rowley 2015
The Christian Rats
Here’s an interesting example of how language and its idioms change through the passing of years and movement between different cultures.
In Shakespeare’s lifetime (1564-1616) there was a common expression, “to be as hungry as a church mouse”. This expression came about because in those days churches had neither kitchens nor storerooms, unlike eating places and homes, so a mouse that tried to live in a church could literally starve to death.
During the next few hundred years, however, the saying became “to be as poor as a church mouse”. This change is easy to explain, for the poor of every nation have always struggled to get enough food to eat well.
Then, in the nineteenth century, when Christian missions began to spread throughout the world, establishing churches and the English language, this revised expression naturally travelled with them.
Fast-forward to our era, and the expression has changed again. I came across this interesting passage recently in the introduction to a book discussing the proper Christian approach to wealth:
‘Once upon a time, an extremely poor person used to be likened to a church rat. The expression was ‘as poor as a church rat’. This meant that the Church/believers were so poor that they barely managed to survive and so could not have anything left over for the rat in the Church to feed upon.’
Here, not only has the mouse become a rat but through personification the rat itself has become a Christian!
This is yet another fascinating example of language change. I hope you found it as interesting as I did.
© Kenneth Rowley 2015
Friday, November 13, 2015
I WOKE UP with Bach's 3rd Orchestral Suite in my head, so I listened to Savall's recording of it, and it seemed to me that it was like the Creation of the World as described in the book of Genesis. Like the biggest of big bangs, it begins with a bubble of energy, effervescent, from which a few themes emerge. It's turbulent and pregnant with possibilities. Then there's a movement of transcendent beauty (the famous Air)--this is 'the Spirit of God hovering over the waters'. It's impossible not to be charmed by the serenity and pace of this music. This movement is the spiritual heart of this suite and it really does take you to another place, a place of movement in repose. The rest of the Suite introduces different forms, some rhythmic in purpose and others with soft beauty. These are the forms that emerge from the primal emptiness at the beginning of the work. The Heart Sutra is relevant here, 'form is emptiness, emptiness is form'. It might be fanciful to think of Bach having such thoughts in mind as he composed the work, but who knows? We know that he wrote everything to the glory of God. It's a fancy I enjoy.
c Kenneth Rowley 2015
Thursday, November 12, 2015
That of course is the point. We don't always look for something demanding or challenging or adrenalin-boosting; sometimes we want to just go to a party and unwind, smooch a little, cuddle a little, and maybe enjoy a slow dance or two. And that, exactly, is why we bought the Carpenters Singles album by the millions.