Omega Man/ I am Legend

Now that I've finished reading/re-reading the original 1954 novel, the relationship between the novel and the film versions is clearer:
1. elements of the novel do appear in the films, but the films are quite drastic reworkings of the original;
2. key elements, such as vampirism and eroticism, are played down;
3. the ending is altered from the original 'end of the human race' to 'a hero arises to save the human race';
4. the original bacterial warfare idea is transmuted (do you like that word?) into a viral one.

These are all significant alterations. Obviously, changing the form (novel to film) of necessity alters the content (cf McLuhan), and the original psychological approach cannot work filmistically (do you like this word?) so I'm not complaining here, just observing.

Personally, I have enjoyed all three, for all three do what good sci-fi should do-- they echo, reverberate, haunt the mind so that we keep thinking about the plot, themes, characters, and so on, long after we've watched or read the art.

I am Legend (2007)

Because I've been reading Matheson's 1954 novel I am Legend, I've also been rewatching the films made from it; as usual, the more times you watch, the more details you notice that you didn't notice before. My most recent rerun of the 2007 I am Legend (with Will Smith) film found me picking up more detail about Bob Marley and his immortal music.

My first thought was an obvious one--that the Marley 'Best Of' compilation that Neville claims is "the best album ever made" is, of course, Legend. [This compilation has been superseded since the film was made, but it's still an outstanding compilation.] Then there is Neville's fascinating statement that he, as a virologist, associates with Marley because Marley believed reggae is a music and culture that can spread goodness, peace and righteous health through the world like a positive virus.

This thinking got me listening to Marley again, and also to my favourite reggae artist, Cocoa Tea. I love Tea's vocals. Anyway, on Tea's One Up album (1993) he actually has a song called Virus which includes the lines: 'Reggae is like a virus/ some say it's outrageous/ it's definitely contagious/ it's spreading all over the world'. Apparently, what it's spreading is understanding and harmony.

I am Legend (1954) preliminary review

I'm about half-way through Matheson's 1954 pulp, I am Legend and must say it's very readable racy stuff. It's also rather different than the two film versions I've seen (Omega Man and I am Legend).

Two things are immediately noticeable regarding the plot and the way it's organised: in the novel the character spends a lot of time researching garlic, crosses, etc--the usual vampire props. That might have been interesting in the 1950s but isn't these days: the bio/virus/lab parts of the recent (2007) film are a positive and much more convincing improvement; on the other hand, the protagonist, Robert Neville, is much more of a man in the novel. His wife and daughter are dead, and the creatures who see him as their prey regularly try to tempt him sexually, knowing that he's vulnerable in this regard. In fact, the novel has an eroticism that shimmers below its surface and accounts for much of the characters' tensions. In both films this element is played down almost to the point of extinguishing it altogether. OK, so both Charlton Heston and Will Smith notice shop mannequins but not much is made of it. In the novel, Neville is aching for female company. This human element, this identification with the main character, is one of the reasons why this particular novel has survived. The story is also well-paced and structured, so that reading becomes compulsive-- another plus.