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Showing posts with label Kenneth Rowley. Show all posts
Showing posts with label Kenneth Rowley. Show all posts
Wednesday, May 24, 2017
Thursday, February 2, 2017
Poor Reader, Poor Thinker
It's like this: people who don't read can't think well. Consequently they're clumsy in expressing their thoughts, but they can feel. Most often they feel anger and frustration. These are powerful emotions which constantly percolate and burst to the surface in outbursts that are mostly violent eruptions of invective or physical violence.
Is it surprising that this is so? Not at all. We're first and foremost emotional beings who feel before we think. You know the expression, gut feeling? That happens to be true. We have some neurons in our stomachs (not just in our brains), so when we feel fear, for example, our stomachs register that discomfort before our brains awake to the danger.
But there's more. When we read a book, our brains don't differentiate between fact and fiction. If the book's hero falls in love, then so do we. If Mr Nasty is really nasty, then we hate him with all our being. Words can help us analyse what we feel--after the event--but words in the first instance trigger emotions.
You see, we begin learning language whilst still in our mother's womb. Language and thought begin together and need each other. They are locked together in an intricate dance, a woven fabric of being. This is no doubt why meditation on words and sounds is one of the most basic techniques in ancient tantric texts. [Tantra means woven fabric.]
Apart from being a writer, I'm also a mentor, teacher, and editor. Over the years I've discovered that mostly people are unable to express themselves clearly because they can't think clearly. That's why, when I teach writing, I tell would-be writers that they must write the last sentence of their essay, article, story or book before they begin writing the beginning. My audience often baulks at this, throwing up metaphorical (sometimes actual) hands in despair. But there's logic in language. There's such an intimate connection between beginnings and endings that if you develop the skill you can often predict what will happen in the future. That's not prophecy, just an ability to connect the dots.
Of course, each different language has its own different logic. English is linear and full of bipolar constructs, but not all languages are. In English we like to begin with a statement of intent, a topic sentence. Thus Americans are often thought to be rude, insensitive, overly direct and blunt. In siSwati (the language of Swaziland) the important statement often comes last. Arabic thought tends to move in a circular, roundabout way, and so on. When you use a language you effectively put on a pair of glasses through which you view the world. The language helps you to see, but it also channels what you see. The Chinese have many words for rice; the Eskimos many words for snow; Swazis have many words for meat; and in older Afrikaans dictionaries the word for 'gentleman' was witman, i.e., white man.
Martin Luther King in a sermon based on Mathew 10:16 said that we each need a tough mind and a tender heart:
Is it surprising that this is so? Not at all. We're first and foremost emotional beings who feel before we think. You know the expression, gut feeling? That happens to be true. We have some neurons in our stomachs (not just in our brains), so when we feel fear, for example, our stomachs register that discomfort before our brains awake to the danger.
But there's more. When we read a book, our brains don't differentiate between fact and fiction. If the book's hero falls in love, then so do we. If Mr Nasty is really nasty, then we hate him with all our being. Words can help us analyse what we feel--after the event--but words in the first instance trigger emotions.
You see, we begin learning language whilst still in our mother's womb. Language and thought begin together and need each other. They are locked together in an intricate dance, a woven fabric of being. This is no doubt why meditation on words and sounds is one of the most basic techniques in ancient tantric texts. [Tantra means woven fabric.]
Apart from being a writer, I'm also a mentor, teacher, and editor. Over the years I've discovered that mostly people are unable to express themselves clearly because they can't think clearly. That's why, when I teach writing, I tell would-be writers that they must write the last sentence of their essay, article, story or book before they begin writing the beginning. My audience often baulks at this, throwing up metaphorical (sometimes actual) hands in despair. But there's logic in language. There's such an intimate connection between beginnings and endings that if you develop the skill you can often predict what will happen in the future. That's not prophecy, just an ability to connect the dots.
Of course, each different language has its own different logic. English is linear and full of bipolar constructs, but not all languages are. In English we like to begin with a statement of intent, a topic sentence. Thus Americans are often thought to be rude, insensitive, overly direct and blunt. In siSwati (the language of Swaziland) the important statement often comes last. Arabic thought tends to move in a circular, roundabout way, and so on. When you use a language you effectively put on a pair of glasses through which you view the world. The language helps you to see, but it also channels what you see. The Chinese have many words for rice; the Eskimos many words for snow; Swazis have many words for meat; and in older Afrikaans dictionaries the word for 'gentleman' was witman, i.e., white man.
Martin Luther King in a sermon based on Mathew 10:16 said that we each need a tough mind and a tender heart:
Let us consider, first, the need for a tough mind, characterized by incisive thinking, realistic appraisal, and decisive judgment. The tough mind is sharp and penetrating, breaking through the crust of legends and myths and sifting the true from the false.Quite so. Reading is one the few ways to develop a tough mind. The rage, the anger, the frustration of life can be tempered. Grow also a tender heart. Read, people, read!
Wednesday, September 14, 2016
#ComingHomeBook
I'm well into my publishing projects now. Last month I released a new novel, Temangwane, my fifth book, and it's doing well both locally and also is on Amazon. That book was finished in 2003 and revised only slightly. Now I'm getting my 2004 novel, Coming Home, ready for publication.
Publication means 3 formats these days: a local print copy, an Amazon CreateSpace copy, and an epub/mobi edition.
Amazon is great, but it doesn't at the moment serve the needs of Africa because packing and postage can easily cost more than the book itself. There's still much to do to kickstart an African reading revival...
Publication means 3 formats these days: a local print copy, an Amazon CreateSpace copy, and an epub/mobi edition.
Amazon is great, but it doesn't at the moment serve the needs of Africa because packing and postage can easily cost more than the book itself. There's still much to do to kickstart an African reading revival...
Monday, March 11, 2013
Clickety-Clicks
Clickety-Clicks
That was the day I clicked with the girl from Clicks. I didn’t recognise her at first. No, that’s wrong; I did recognise her, but I didn’t know where from; she wasn’t wearing her pharmacist’s uniform. And without her uniform...
She was dressed casually, not fussily, presumably for comfort rather than to impress. Her jeans were faded and worn from use—not bought that way—and her top was a bright mass-produced one you could buy at any common clothing chain like Identity or Jet or Mr Price. Her blue shoes were stylish though.
She smiled at me, a good start. I started; stared; then smiled back.
“What’s wrong?” she asked. I was still trying to work out where she was from.
“Nothing... you’re the pharmacist from Clicks?”
“Yes, and you’re one of my customers. How’s the migraine?”
“Oh, it’s gone now, thanks. You helped.”
“That’s my job.” She smiled again.
“Yes, I suppose so.”
It was at this point that nothing happened. No, that’s wrong; plenty was happening, but we were
feeling it, not talking, not moving, just looking at each other and feeling.
“Look, why don’t...” We spoke together; realised what we’d done; looked again at each other; and
laughed.
“You first,” I said.
“No, you,” she said.
“Well,” I started again, “what are you doing now? From here?”
“Just girlie things.”
“Shopping, you mean.”
“Uh-huh. Do you want to buy me something?”
“Uh, like what?”
“What girls like. Shoes, jeans, an engagement ring...” I tried to ignore the last item.
“Underwear?” I said.
“That’s what men like. You’re always thinking of undressed women.”
“Me? No, I was joking.”
“You weren’t, but it’s OK. I like a man to be a man.”
“Let’s keep talking,” I said.
“OK.”
We went where we could talk. We went to a cafĂ© and got a drink. No, that’s obviously wrong. We got two drinks: hers was a juice; mine was an appletiser.
Then we talked. And laughed. And talked. And laughed. And got some other drinks. And discovered
we liked similar music, had read similar books, and wanted exactly the same thing.
What was that thing? Well, let’s just say that we spent a lot of time together that day. We looked at
shoes and jeans and yes, we stopped by the window of a jewellers where we looked at the rings and laughed and then held hands and went to another shop where I bought her a CD and she bought me a book. We hugged. We kissed. We felt we belonged together. We still do. Because we click. We’re tighter than her pair of faded jeans and the childproof-cap on my bottle of migraine pills from Clicks.
© Kenneth Rowley 2013.
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