Showing posts with label Matheson. Show all posts
Showing posts with label Matheson. Show all posts

Monday, May 3, 2010

Omega Man/ I am Legend


Now that I've finished reading/re-reading the original 1954 novel, the relationship between the novel and the film versions is clearer:
1. elements of the novel do appear in the films, but the films are quite drastic reworkings of the original;
2. key elements, such as vampirism and eroticism, are played down;
3. the ending is altered from the original 'end of the human race' to 'a hero arises to save the human race';
4. the original bacterial warfare idea is transmuted (do you like that word?) into a viral one.

These are all significant alterations. Obviously, changing the form (novel to film) of necessity alters the content (cf McLuhan), and the original psychological approach cannot work filmistically (do you like this word?) so I'm not complaining here, just observing.

Personally, I have enjoyed all three, for all three do what good sci-fi should do-- they echo, reverberate, haunt the mind so that we keep thinking about the plot, themes, characters, and so on, long after we've watched or read the art.

Tuesday, April 27, 2010

I am Legend (1954) preliminary review

I'm about half-way through Matheson's 1954 pulp, I am Legend and must say it's very readable racy stuff. It's also rather different than the two film versions I've seen (Omega Man and I am Legend).

Two things are immediately noticeable regarding the plot and the way it's organised: in the novel the character spends a lot of time researching garlic, crosses, etc--the usual vampire props. That might have been interesting in the 1950s but isn't these days: the bio/virus/lab parts of the recent (2007) film are a positive and much more convincing improvement; on the other hand, the protagonist, Robert Neville, is much more of a man in the novel. His wife and daughter are dead, and the creatures who see him as their prey regularly try to tempt him sexually, knowing that he's vulnerable in this regard. In fact, the novel has an eroticism that shimmers below its surface and accounts for much of the characters' tensions. In both films this element is played down almost to the point of extinguishing it altogether. OK, so both Charlton Heston and Will Smith notice shop mannequins but not much is made of it. In the novel, Neville is aching for female company. This human element, this identification with the main character, is one of the reasons why this particular novel has survived. The story is also well-paced and structured, so that reading becomes compulsive-- another plus.

Friday, April 23, 2010

Legendary Pulp Fiction


Richard Matheson, I Am Legend, 1954, published in paperback

Does a book need to be 'literature' to influence the world? Matheson's 1950s pulp novel has already been filmed 3 times and is generally regarded as the touchstone of zombie stories in the same way that Bram Stoker is always invoked whenever the discussion centres on vampires. (Ironically, Matheson apparently considered his novel to be a vampire novel.) Whatever the sub-sub-genre, like Dracula, I Am Legend has captured the popular imagination.

But it's not literature! Maybe not (whatever that means), but it has captured the public imagination.

There's a lot of snobbery in this writing/teaching/publishing/lecturing business. When I was at college, one of my Literature Professors told me that Leslie Charteris (who wrote the hugely popular The Saint novels which then became a successful TV series that launched Roger Moore's career) lived nearby. I asked if Charteris was then coming into college to talk to us. The Professor said that Charteris only wrote "pulp fiction" so no-one would ever invite him. I thought that was a pity then and still think so now. The man could clearly write and write clearly and that in itself is a major achievement. His writing caught the popular imagination. Given a chance, I would rather write one novel that captured the popular imagination than two that were praised by critics as 'literature' but inspired no-one.

Orwell had a phrase for popular pulp (which I believe he acquired from Chesterton): he called them 'good bad novels'. Into this category we can also place one of Africa's greatest, Jagua Nana by Ekwensi. I like, I like, I like.

*Download I Am Legend (pdf): http://www.filestube.com/fef7c0f782ff20b903e9/go.html

HAROLD BUDD: go in peace

Harold Budd Back in the 70s I had a friend called Howard, who lived in Wimbledon village, and we met regularly to listen to and discuss ou...