As usual, the poor farmers have little to offer mercenaries but our hero has his own agenda and agrees. There aren't seven, mind you, just two and a child, but they are enough.
One of the reasons The Mandalorian is such a strong show is that it doesn't try to reinvent the history of cinema, but taps into it: everywhere we look we see echoes of what has already become iconic. Star Wars is already informed by Japanese cinema and zen (think The Force, Jedi Warriors, and light sabres aka Samurai swords) so an episode modelled on Akira Kurosawa's 1954 masterpiece is an inspired choice.
1 comment:
A new take on familiar themes - so good!!
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